| Home | About Us | Contact Us |
|
Controversial Issues College Term papers
Important Notice:
|
|
The Perfect Ending to Pride and Prejudice
"I am not romantic you know. I never was. I ask only a comfortable home; and considering Mr. Collin's character, connections, and situation in life, I am convinced that my chance of happiness is as fair, as most people can boast on entering the marriage state." (Austen, 95) Elizabeth, as Sherry points out, is not particularly romantic either, however unlike Charlotte, Elizabeth has a certain picture of an ideal marriage in her mind, and therefore would never marry for reasons other than love. We assume that since Elizabeth is the main character, this is how Jane Austen sees marriage. Since Elizabeth would not marry without love, we can also assume that Jane Austen sees what Charlotte does as immoral. Elizabeth also feels that marriages formed by passion alone are just as bad as marriages formed without love. Elizabeth reflects on her sister Lydia's marriage; "But how little permanent happiness could belong to a couple who were only brought together because their passions were stronger then their virtue, she could easily conjecture" (Austen, 232) We again see reasons besides love as the reason for marriage. Jane Austen is not very optimistic about marriage, in fact there are almost no happy marriages in the novel at all. Mr. Bennet and Mrs. Bennet, Lydia and Wickham, and Charlotte and Mr. Collins are examples of the ill-matched and unsuccessful marriages in Pride and Prejudice. In the novel, the theme of pride and prejudice is first introduced in chapter three at the dance. Darcy, acting on his own pride, insults Elizabeth. He claims that she is not handsome enough to tempt him. Elizabeth, overhearing his insult, considers his remark as a direct stab at her own pride. This succeeds in invoking a prejudice in her, against him that remains for the greater part of the novel. She feels that he is far too arrogant and proud. When Charlotte points out to Elizabeth that Darcy has a right to be proud Elizabeth replies; "That is very true, and I could easily forgive his pride if he had not mortified mine". (Austen 13) The entire novel consists of the forming of pride and prejudice. The climax of pride and prejudice, as Sherry sees it, is the first marriage proposal. It is the height of pride on Darcy's part, and the height of prejudice on Elizabeth's part. The rest of the novel is a sort of anti-climax, in which they begin to compromise and learn how to relate to one another. The theme of pride is built up in many different ways. One method Austen uses to emphasize Darcy's extreme pride is by surrounding him with characters with similar faults, although, their pride is much more severe and much more insulting. The character in the story who represents an extension of Darcy's pride is his aunt, Lady Catherine de Bourgh. s hen Lady de Bourgh meets someone she sees only their rank and class in society. She does not appreciate anyone for any other aspect of themselves. Sherry proves this by pointing out the fact that she believes Darcy and her daughter should be married. She bases her thoughts on their compatibility in ranks, neglecting the concept of love. "My daughter and my nephew are formed for each other. They are descended on the maternal side, from the same noble line; and on the father's, from respectable, honourable, and ancient, though untitled families. Their fortune on both sides is splendid. They are destined for each other by the voice of every member of their respective houses...." (Austen, 266)
Mrs. Hurst and Miss Bingley, also represent the pride which Darcy possesses. The fact that they feel entitled to think of themselves well and other badly is proof of this, as Marilyn Butler points out. Examples of their snobbishness is the condescension they show towards Elizabeth when she tells of her walk to Netherfield. "That she should have walked three miles so early in the day, in such dirty weather, and by herself was almost incredulous to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced they held her in contempt for it." (Austen, 24) Unlike the others, however, Darcy's pride is humbled. Elizabeth manages this hefty task by rejecting his marriage proposal. Other ways of looking at the novel come to the same basic conclusion of compromise. " Pride and Prejudice uses the familiar anti-thesis between art and nature as the ground of the book's action. Elizabeth is portrayed on the side of nature, feeling, impulse, originality, spontaneity....it wasn't possible for Jane Austen to deprecate art all together.. the movement of the book is compromise, as Elizabeth learns to take class into account, Darcy comes to share Elizabeth's genius for treating all people with respect for their natural dignities"(Klinger, Jane Austen and the war of ideas, 199) The difference between Pride and Prejudice and other eighteenth century novels, is that the heroines differ. "Instead of the innocent, impulsive fallible girl, the heroine of Pride and Prejudice dislikes, teases, and ends in part by debunking the hero... Where other heroines were sycophants of social and masculine prerogative, Elizabeth Bennet is fearless and independent." (Butler, 199) The difference in the novel, is in Austen's approach to Elizabeth. By making her as independent, and lively as she does, perhaps she is trying to show society that this is acceptable. If society would learn to compromise and lose a bit of it's rigidness, as Darcy did, then people would be able to fully appreciate characters like Elizabeth Bennet.
WORKS CITED 1. Austen, Jane. "Pride and Prejudice. New York. Bantam Books, 1813,1981. |
|
|
|
|